Monday, April 2, 2012

Just Sitting @ Both Sides No Sides (April 2012)


For a while now I’ve been tinkering with this blognote. I want to give persons interested in Zen practice in El Paso a taste of what we do here at the Both Sides / No Sides Zen Community.

I’m the leader of our community—Bobby Byrd, and my Dharma name is Kankin, which means Sutra Reader. Like so many dharma names, it comes from one of the chapters in Dogen’s Shobengenzo. Our practice is rooted in the lineage of Matsuoka Roshi, and it came to me through Harvey Daiho Hilbert Roshi, the founder of the Order of Clear Mind Zen in Las Cruces, and from whom I received my dharma name. I hang a brown rakusu around my neck, which means I am a novice priest. Two years ago, April 3 2010, I received the rakusu during the Shukke Tokudo Ceremony. But I don’t like the word “priest”—it resonates with too many confusing memories of my growing up—so I don’t use it unless I have to. Like here. Also, I’m leery of the word “Zen” these days. It’s become a commercial word. All sorts of things are “Zen.” Like tea. Restaurants. Ice cream. I like better the phrase “dharma practice” which Stephen Batchelor uses in his writing. But we’d not get many google hits if we inserted Dharma Practice instead of Zen. In my life I am a poet (my blog is here), and my wife Lee and I are co-publishers of Cinco Puntos Press here in El Paso. We’ve lived here in the same house since 1978, and this year soon I will be 70 years old. As we said growing up in Memphis: “Holy shit!”

As of now, April 2012, the No Sides / Both Sides Zen Community conducts two services during the week—one, the Sunday services 10am; two, 7pm Tuesday night. Both are at 2709 Louisville in the Five Points Central area of El Paso. This is Lee’s and my home, the place where we’ve lived for 34 years. It’s just simpler to use our home. Other places didn’t work out. It’s free here, and we are not disrupting anybody else’s life. So we thank Lee for the opportunity to sit here. It’s a nice place. It’s homey but it opens up like one of those robo-toys into a nice place to practice together. Perhaps in the future we’ll find more formal digs. But for now we’re home.

The services usually take one hour and 30 minutes, sometimes shorter, sometimes longer. Each is rooted in 40 to 50 minutes zazen practice, but we do chanting of sutras before and after zazen. I consider our sutras as tools for our practice (or as sangha member Susan Feeney called them, “instructions”). They are not religious doctrine, and you can pick and choose what, if any of the ritual, you want to participate in. Anthropologists are welcome. But we do ask that you practice zazen with us. That’s what we’re there for. And if you want instruction on how to sit, we have folks who can help. 


Tuesday nights we sit in the office that sits behind the house. To get to our Tuesday zendo, you go through the gate on the left of the house and follow the driveway back. It’s one of those old detached garages, 1923, river stone walls, rickety roof. Lee and I had it remodeled in the 1980s for my office. Our neighbor Arturo Alemán (now deceased) plastered the wall and lay in the red Mexican clay tile floor. Chuck Telehany framed the ceiling and windows. A fragile place really but it doesn’t feel fragile. It’s quiet. Like a cave almost. A comforting place with special ambiance. It has a special feeling for me, full with memoires, because this has been where I write and think and daydream and sit zazen for the last 30 years. Now it’s a pleasure to sit shikantaza there with my friends. We have a small altar built by Ken Hogaku Roshi, the teacher of Daiho Hilbert, with a beautiful brass Buddha in a teaching pose (also a gift from Ken Roshi and his wife Fern Roshi). Our Tuesday zendo is a quiet place in the evening, the bell resounding on the stone walls.

Tuesdays we are usually not too populated.  Three or four of us. Sometimes five. We are always welcoming newcomers, but Tuesdays nights are a difficult time for some. Unless there are newcomers, we have one forty minute sit so we can really settle into zazen. If newcomers do show up, we go back to the normal schedule: two 20 or 25 minute sits with a kinhin. We have our regular services—sutra chanting before and after our zazen, a tea service and I talk a little bit during tea. People ask questions. We talk about practice. When we’re done, we collect the cups, chant the Four Great Vows and blow out the candles. Recently we’ve been going down to Kiki’s for a late dinner. The vegetarian black bean burritos are a favorite. Maybe we share a pitcher of beer.

In early March only Loretta Lopez and I were sitting staring at the wall in silence. Like birds on a wire. During tea, Loretta and I talked about our own home practice. It was nice. Loretta is a double-dipper—Sundays she goes to St. Albans Episcopal down the street. She likes the music and the ritual there. And the Lenten Season—it was that time of year—is important to her. It was good to hear her talk about it. But Tuesdays she saves for zazen with us. Then the next Tuesday only Rob and Polly showed up. It was a beautiful spring night. After chanting the Heart Sutra we paraded outside in kinhin (walking meditation) and did our zazen on the wood deck. A few early spring bugs, but it was nice to be in the breeze and the neighborhood sounds (cars, dogs, kids, the grackles and mockingbirds—everybody getting reading for sleep) as the evening light faded into darkness. 

Sundays are different but the same. We usually have between six and eight Sangha members, sometimes more. We sit in the dining room of the house where we can easily accommodate up to 12. To enter the Sunday zendo, go through the gate on the left of the house, and enter the house through the kitchen, the first door on the right.


The dining room where we sit is surrounded by big old-fashioned windows, so the room is bright with sunlight. It takes some work to get the room ready.  Some folks come early to help. We move the table and chairs; we tote the cushions (aka zafus and zabutons) in from the office; likewise the bells, our Buddha, candle, and other paraphernalia; and we move the big altar (another gift from master Zen carpenter Ken Roshi McGuire) into place. Susan Feeney brings flowers for the altar. People come one by one, say hello and talk some. At 10am the Ino rings the bell and the room goes silent. It’s a magical feeling, that sudden silence in the bright light of day. Sangha members are standing in front of their cushions, their hands in gassho. I light the candle, silently we repeat the Prayer of Atonement, those of us with rakusus hang them round our necks, and we are all ready to practice. We chant the Three Refuges and the Heart Sutra in English.

We sit facing the sangha, not toward the wall. The windows can offer too much distraction. A wandering grandkid, a neighbor in need of sugar, and always the cats. Three of them wander around our house. Usually one or two decides to sit on the window sill and stare through the glass at the crazy humans sitting cross-legged and silent, doing nothing. Perhaps it may seem like home to them, these weird people so close to each other, but not talking. Not even looking at each other. So we settle into our practice—the two 25-minute periods of zazen with a kinhin in-between, the final sutras, the incense ceremony, the tea service and dharma talk. Instead of the solid quiet of the office, the house has creaks and moans, refrigerator sound, the neighborhood waking up to Sunday morning. We don’t notice those sounds until we sit zazen and experience our breath. Oh, the bits and pieces of noise are always a surprise. And then during kinhin, our walking meditation, the old oak floor boards groan and squeak as we slowly circumambulate the zendo (aka dining-room).

After services on Sunday we all pitch in to return the house to normal. The zafus and zabutons must be carted back to the office, the altar moved back into its hiding place, the dining room table returned to its place of honor under the ceiling fan, the chairs and all the other knickknacks put back so that Lee won’t even know, if I didn’t tell her, that we’ve had a huge crowd of peculiar zensters sitting zazen in her living room. Both the preparation for services and the cleaning up afterwards is a form of “samu,” work meditation. We work together, especially afterwards, easily and with a nice energy provided for us by zazen. We can feel the difference in our energy and alertness. It’s a pleasure.

Sitting zazen with Sangha members is very important to Dharma Practice (aka Zen Practice). We are mostly householders, we have jobs and families and responsibilities, and we don’t have many opportunities to experience long periods of intensive practice. It is, as the saying goes, what it is. Thus, our home practice and our practice with Sangha—sitting there and concentrating on our breath—giving to the universe, receiving from the universe, all of our senses present—are nourishment for each other.

Zazen is the study of self, and as we study the self, the self drops away. We come to experience ourselves as expressions of the absolute, and vice versa. Form is emptiness and emptiness is form.

Oh, that’s what it means!

We are the membrane through which we experience what these words point to. We are the Gateless Gate.

But such useless words. Oh well.

Sit strong.
My best to you all.
Bobby Kankin Byrd

Monday, February 13, 2012

ZAIKE TOKUDO For Mike Inmo Dretsch

This Saturday (February 18th) Mike Inmo Dretsch will take the next step in his Dharma Practice--he will be ordained in the Zaike Tokudo Ceremony at the Wiregrass Zen Center in Headland, Alabama. Taiun Michael Elliston Roshi of the Silent Thunder Order will be officiating. The service schedule is detailed below in Mike Inmo's letter to me.


Several years ago Mike was in El Paso to do research at William Beaumont Medical Center and Fort Bliss. He was staying at the home of John Fortunato where our sangha was practicing at the time. Mike sat with us one Sunday and he immediately started walking down his own path of dharma practice and the study of self. For several years he studied with me personally through phone and Skype conversations, and he received the precepts at a Jukai Ceremony concluding a sesshin at the Clear Mind Zen Temple in Las Cruces. His Buddhist name became Inmo. I chose Inmo because it's rhythm has a certain manliness about it, and, if you know Mike, he has the presence of an athlete. When I first met him he was concluding his active career as a martial artist (free-style), but he still trains students. "Inmo," literally, means "it," as in "That's it!" or "Do you get it?" But the way Dogen and other Zen teachers use the term, it has come to mean reality or truth. I thought it a perfect fit for Mike.

Later he and his wife Elizabeth honored me by asking me to serve as the priest in the celebration of their marriage. Mike Inmo, as part of his practice, began the Long Leaf Zen Center at their home in Enterprise, Alabama. On the way to their wedding celebration, it was my honor to sit with them one night and to offer a teisho. 

 Mike Inmo's 1st Rakusu: Jukai January 15, 2011


From the beginning Mike Inmo knew how to bow. This might sound strange and insignificant, but usually when a person first bows in a zendo during all the rigamarole of Zen services, the bow is accompanied with all sorts of personal baggage--hesitation, embarrassment, pride, whatever we come with. It's interesting to watch over the weeks, months and years as a person's bow evolves. But with Mike Inmo it was different. From the first, he bowed with presence and authority. At the time I said to him he came from Alabama to teach us how to bow. My feeling is that he learned to bow in his practice as a martial artist--respecting his opponent, respecting the act of fighting, respecting himself. He's strengthened this understanding as he continues to sit and stare at a wall and as he shares his understanding with others. I am proud and delighted that he's taking this next step.

May he be a blessing to his family, his community, his Sangha and to us all.

To send Inmo your congratulations, his email is dr.dretsch1@yahoo.com. Here's his announcement:

Mike Inmo Dretsch to receive Zaike Tokudo


Please mark on your calendar Saturday, February 18th. I will be going through a lay ordination ceremony called Zaike Tokudo.  Zaike Tokudo means "remaining at home and attaining the Way"  versus Shukke Tokudo which means "leaving home and attaining the Way."  With Shukke Tokudo leaves home... and you often see the monk shave his or her head. Luckily, I already do this :)

Zaike Tokudo symbolizes and reinforces a path in life devoted to practice. Zaike Tokudo is the penultimate ordination prior to ordination as a novice priest (the first initiate ceremony being Jukai). In essence, I will receive official status as a disciple of the Silent Thunder Order under the purview of Taiun Michael Elliston Roshi.

The day will start with a morning of sitting meditation (zazen) and liturgy. We will break for tea and prepare for the ceremony which will start at 1pm. All of this will be held at the Wiregrass Zen Center, 610 Mitchell Street, Headland, AL. A special thanks to Frederic Ji Ryu Lecut for hosting the event. Those of you that live closer to Enterprise where we practice can follow us from my house or meet us along the way. If you cant make it for the morning session, you can just attend the ceremony. After the ceremony we will have a potluck style luncheon. I will send out a sign up list for those that want to bring a vegetarian dish.

It would be a great if everyone could make it for the ceremony. For the last several years I have undergone mentorship (with Rev Bobby Kankin Byrd and Rev Harvey Daiho Hilbert out of Texas and New Mexico, and most recently with Taiun Michael Elliston Roshi from Atlanta Soto Zen Center/Silent Thunder Order), academic study (and sewing two rakasu's), and rigorous zazen/shikantanza from various cushions locally and at various locations (El Paso, TX; Las Cruces, NM; and Atlanta, GA).

For me, this ceremony is something I want to share with all of you, which I am very grateful for having crossed paths with, and without hesitation, consider my Sangha (community) and my family.  Without the Sangha, there is no refuge in the Three Jewels. For it is the Sangha that brings about abundant good. Similar to what they tell you in football games... there is no "I" in Sangha :)

Gassho,
Mike

Michael Inmo Dretsch
Experimental Psychologist/Soto Zen Buddhist
http://longleafzen.vpweb.com/

Tuesday, January 3, 2012

Zenshin Philip Whalen on Writing and Meditation



The poetry and life of Zenshin Philip Whalen is probably one of the big signposts along the trail that led me to become a Zen practitioner. His poems cleaned up all the intellectual mumbo jumbo along the way and helped me realize that it's okay just to sit down on a round cushion (aka zafu) and stare at a wall. I started reading Whalen's work in the mid-60s. First he pushed my own poetry along. In the 80s, when I first got down to some "erratic practice," his poetry was there waiting for me with some goofy advice. Just recently, because of some correspondence with a friend, I pulled out his collected poems. Perfect timing. His advice, goofy as it is, has always been a nice antidote to my psyche when the damn thing takes over and starts SERIOUSLY driving down the road like it's in charge. Here's some quotes I copied from my journal. They rang some bell for me. Ding. 
--Bobby Kankin Byrd
from the essay ABOUT WRITING AND MEDITATION
by Philip Whalen
(Pages 840 and 843, The Collect Poems of Philip Whalen

I thought I’d write books and make money enough from them to travel abroad and have a private life of reading and study and music. I developed a habit of writing and I’ve written a great deal, but I’ve got little money from it.
With meditation I supposed that one could acquire magical powers. Then I learned that it would produce enlightenment. Much later, I found out that Dogen is somewhere on the right track when he tells us that the practice of zazen is the practice of enlightenment. Certainly there’s no money in it. Now I have a meditation habit.
I like the idea somebody mentioned of erratic practice. It immediately reminded me of rocks that were left around when the glaciers receded. A lot of times setting out in a field there are no other rocks. It’s a very strange appearance. You can’t account for the rock’s position unless you remember the glacier that carried the rock there and then went away. Zazen is slow but leaves erratic boulders.
So far all we’ve been able to invent in the United States is the business of building small cabins in the woods and going there to hide out, then come back and write a book about it. That practice, that sort of individual, hermit, erratic practice is something that’s really important. The danger of Zen Centers or monasteries is that people will take them seriously as being real. We should find our own practice; we might start out in an official place, but we should discover somehow that we don’t need official institutions. It’s exactly like Lew Welch says in his poem about the rock out there, the Wobbly Rock, “Somebody showed it to me and I found it for myself.” The quote isn’t exact. Lew was an erratic Zen practitioner who was a great poet.
--Zenshin Philip Whalen

Friday, December 30, 2011

Saying Goodbye, Saying Hello

 
enjoying a tea ceremony hosted by JB
Placitas, NM[1]

Dear All, 

I needed someway to get ready for the New Year on our blog, and I found a wonderful librito put out by my friends at the Three Stones Sitting Group (aka Ordinary Mind Group) in Albuquerque, NM. The little book has a number of statements about Zen practice collected from Joko's writings, like these below answering the question: What Is Practice? The TSS is informally organized in the tradition of Charlotte Joko Beck although their connection is more figurative than literal if that makes sense. They sit every Wednesday night. If you're in Albuquerque, please join them. It's a trip. 

Happy New Year to you all. May we all bea blessing to your communities. And I thank you for your continuing practice.
--Bobby Kankin Byrd
  
WHAT PRACTICE IS  

Practice is about experiencing the truth of who we really are.
Practice is about being with our life as it is, not as we would like it to be.
Practice is about the clash between what we want and what is.
Practice is about the transformation of our unnecessary suffering.
Practice is about attending to, experiencing, wherever we are stuck, wherever we're holding, whatever blocks us from our true nature.
Practice is about turning away from constantly seeking comfort and from trying to avoid pain.
Practice ultimately deals with just one thing: the fear at the base of human existence—the fear that I am not.
Practice is about willingly residing in whatever life presents to us.
Practice is about seeing through our belief systems; so even if they remain, they no longer run us.
Practice is about turning from a self-centered view to a life-centered view.
Practice is about learning to be no one; not giving solidity to any belief system-just being.
Practice is about learning to be happy; but we will never be happy until we truly experience our unhappiness.
Practice is about slowly increasing our awareness of who we are and how we relate to life.
Practice is about moving from a life of drama to a life of no drama.  

Practice is always about returning to the true self.  
Practice is about fmally understanding the paradox that although everything is a mess, all is well. 
Practice is about learning to say "Yes" to everything, even when we hate it.
Practice always comes back to just the willingness to be.

--Charlotte Joko Beck
 

[1] I took this photo using a 10-second time delay on my camera. JB, who had recently finished building his adobe teahouse in Placitas, had invited me to a cup of tea—and a remarkable introduction to his version of the tea ceremony. As he made and served me tea, he told me the history of the tea ceremony. It was quite a remarkable event. If you visit JB's page, you'll find other links to tea ceremony documents, plus a variety of other odds and ends.

Thursday, November 17, 2011

Chiyo-Jo

A friend, the artist Linda Lynch, came by the other day and she shared with me this haiku.

Clear water
No front 
No back


Nice. And nice translation too. In Japan this is her most widely known poem:
morning glory!
the well bucket-entangled,
I ask for water


Which is the subject of the painting.  

Chiyo-Jo was a woman poet of 18th Century Japan. She lived the century after Basho but certainly welcomed the open heart of his poetics.  


Turns out that Linda, who lives in Columbus, NM, also sits and stares at a wall doing nothing. Studying self. Forgetting self. Whatever you want to call it. Shikantaza is a good word to call it, huh? You can see Linda's work here and see how Zen understanding and her work intertwine, especially with her expression of negative space. 

Wednesday, November 9, 2011

Zen through the Side Door


Zen thru the Side Door

Those newcomers walked right by.
Polly yelled after them,
“There’re a bunch of side doors.
But this is the one we use.”


This little poem comes from an improvisational riff we had before services two Sundays ago. I had taped that note on the front door. We were expecting two new comers. Polly said that would be a nice name for a collection of poems, “Zen thru the Side Door.” We all laughed. The newcomers came, saw the sign, followed directions through the gate but then walked right pass the side door. Polly went after them and shouted “There’s a bunch of side doors. But this is the one we use.” Deb said, “Well, that’s sounds like a line in a poem.” “Oh, yes, it does!” Susan said. Thus our sangha’s collaborative poem.

I sent this story in our weekly newsletter and Susan followed up on it with two wonderful signs--one with Bodhidharma's fierce profile,  the other with with a bunch of side doors--which she framed and gifted to the sangha last Sunday. I'll photograph them and post soon.


By the way, this week we'll be back to our usual hours on Sunday (10am) and Tuesday (7pm). I apologize for having to cancel last night (Tuesday, 11/8)

--Bobby Kankin

Saturday, October 22, 2011

Seeing matter as emptiness. Huh?

This is a recent blog posting from my teacher Harvey Daiho Hilbert of the Order of Clear Mind Zen. I recommend wholeheartedly that you follow Daiho on his blog or write to him to be included on his email list. The photo of Daiho I found on the Upaya Website. Somebody took it during Daiho's Street Zen practice.--Bobby Kankin 

With palms together,

Good Morning Everyone,

“Seeing matter itself as emptiness produces great wisdom so one does not dwell in birth and death; seeing emptiness as equivalent to matter produces great compassion so one does not dwell in nirvana.”  Yun-feng

We should each study these words.  They arise from the teaching of the Wisdom sutras and yield much support to our practice.  All things come and go, why dwell in the coming and going, the seeking and the grasping?  Since the true nature of coming and going gives rise to things themselves, we open to hear their cries. Neither seeking or grasping, we exist as an open channel in the flow of the universe.  As an open channel, we experience the shore, the tides, the ebb and flow of all things.

As the meal chant concludes, “May we exist in muddy water with purity like a lotus.”

Be well.

Rev. Daiho Hilbert
On the web at Clear Mind Zen